Harmony Dixon
/harmonydixon

Creativity is the antidote to feeling dead inside, and so I write.
Harmony Dixon
On Writing
4y ago
To construct a monster of a story, you need three things: Bones, flesh, and breath.
The bones are your outline. Who is your story about, what do they want, what is happening as a result, and how are they growing as a person — or monster?
Here's how to write your chapters when the bones are set:
A look inside my bones:
In the chapter I'm working on, my character gets word that his mentor is missing and presumably in danger. He has to leave the girl he’s been protecting behind to investigate.
Those are the bones of this chapter.
Dress them in flesh:
It’s time to think about the flesh that holds the bones together; The details, setting, character features, and how things work. Thinking is important.
Example: This scene is set at an off-the-grid compound for outcast clairvoyants. The character receives his message from a psychic medium. He is tall, dark, bald, covered in tattoos, and rocks a trench coat. The psychic has long red hair and looks like a kindergarten teacher. He suspects the spirit realm leader kidnapped his mentor for interrogation. He instructs the girl's family to tell her he is dead, despite how much pain it will cause her.
Describe the scene in as much detail as possible.
Breathe life into your creation:
Now, write your story.
Writing and thinking are separate in this system, which makes the act of writing much quicker. When already you know the details, it's easier to unleash the story from your mind.
Think before you write.
Save yourself some agony.
Harmony Dixon
On Writing
4y ago
Writing within constraints — like the challenge to hit 250 words on the nose for Ship 30 for 30 atomic essays — is tricky.
As a fiction writer, I'm wordy. I vomit on the page and hack through the vegetation with my editing machete later. To keep my word count at 250 words, I recruited a few secret weapons.
Here are my favorite tools and tactics for writing clear, concise essays:
Grammarly:
I started using Grammarly as my editing buddy to make sure emails and articles I planned to publish were presentable.
When I installed the app on my laptop, the game changed. Grammarly proofreads everything I type — emails, notes, social posts, essays, and my fiction novel in progress. This tool catches spelling and formatting errors, missed commas and offers suggestions to make your writing clearer. I don't accept every edit, especially when considering the art of fiction, but overall I'd highly recommend this app.
Hemingway Editor:
This tool and I recently became friends.
After I write and accept the suggestions from Grammarly, I pop my piece into the Hemingway Editor. This tool calls you out for using the passive voice and points out difficult to read sentences. It doesn't offer suggestions to fix the language, but it identifies editing opportunities.
Ruthless editing:
Murder your darlings.
When you need to cut words, don't be precious. Remove anything that doesn't contribute to your point. Delete the fluff and never look back. It'll be okay.
Online readers have a short attention span.
There's no shame in using technology to finesse your writing.